Friday, March 23, 2012

Melancholia and all you can Do with it.

Do Theory.
...
....
.....DON'T MIND IF I DO!
Ack.

Um.


I suppose for simplicity’s sake, I’ll talk about one of the scenes I mentioned in my screening notes. 
In the first ten minutes of the movie, there’s this scene with the newly married couple are trying to get this stretch limo down a winding and narrow road.  The driver himself can’t seem to do it, which leads to two passengers to take a shot at doing it themselves. 

To me, when I look at it through the lens of the impending death of cinema, I see it as a commentary on the film community as a whole throughout history.  Film would come to these difficulties over time, these winds in the road as film evolved and changed, thus changing what the cinema was offering and what brought people in.  And like with any invention, until something replaces it, it’s a matter of trying to out do what came before.  In this case, Justine and her husband were other film makers, thinking they had the better way to go about it.  Meanwhile, the driver and the other spouse stood on the sidelines and playful taunted the driving person.  It’s like how different film makers think they have found the thing to really draw people in and make money in the cinema.  For awhile it was variety film, then action films in the ninties, then super hero films were big until Mel Gibson struck while the religious iron was hot and beat Spiderman.  Then we moved onto having more computer generated film, and now 3-d film.  I think that the limo’s jerking and uncomfortable movement is a great example of where the cinema is going, as in it’s a slow movement where little positive progress is made each time.  And then, finally, when someone does get it right and draw people in, i.e. when Justine finally gets the limo here it needs to be, a planet collides with you the next day and the limo is lost.  Thinking of the scene in terms of the whole film really drive home the futility of these shiny new things in film trying to draw people into the cinema, when in reality it is destined for doom.